Creative Beasts

Who knows what lurks at the dark edges of The Great Unknown?

Indeed, “Why be at all?” One might ask, as so many have. What is the point? What is the purpose? What makes an artist an artist, or an explorer an explorer, and why should anyone care? There are plenty who try to make the leap, but fail. They will never see an inkling of what they would perceive to be a valid level of success. An aside: the term, “artist,” for the purposes of this post, means “One who creates or envisions at a quintessential level.”

Does culture reflect art or does art reflect culture? This question was posed last week in my group at the Creativity Works event in Milwaukee. I think it’s both. How is culture developed? Try this on for size: There are people who unwittingly (and sometimes wittingly) stomp on the spirits of those trying to make something great out of nothing. Or, they laugh or jeer. Anything to eschew whatever comes across as different, strange–and extraordinary. It could be dangerous, after all… or risky. Yet, invariably, they are the same folks who will celebrate the accomplishments of those that they had formerly dismissed or ridiculed–as if it had been their idea, all along.

Here are the definitions from http://thefreedictionary.com/

cul·ture (klchr)

tr.v. cul·tured, cul·tur·ing, cul·tures

“Culture” is something nearly everyone wants to participate in, yet it is also something that only a few wish to work at or develop. Some cultures are random and shapeless, while others are hewn, forged and carefully defined.

Artists and entrepreneurs are often one in the same. Inventors and scientists–I believe, are, in many respects–artists on whole different level. They are pioneers and visionaries… and many times, they are outcasts and “crazy fools…” until they hit on something, and when that happens, so does culture, in a manner of speaking. It’s not an easy calling. To be an artist and to have a dream or a vision takes a commitment. Many sign up for film, music or art school–or medical school–only to find that it wasn’t the life that they had had in mind. There are no guarantees. The investment is costly, and the outlook on the ROI can appear very bleak. Because many times, it is. This is not something they tell you upon entering school. Afterward, many will teach or work in some related area while continuing to work on creative goals. Sometimes this works out well, and other times, not. We all need to find ways to survive, but finding the balance between work and creativity can be trying, frustrating, humbling and even crushing. Very few manage to obtain the opportunity to work solely as an artist–or to conduct research and experiments to their hearts’ content. Many will give up entirely and find something else that is easier. Fitting into a groove that someone else has already created is typically far easier than creating your own. Someone else has already taken the risks, the falls, etc. It’s not scary, and often, it’s pretty safe. Comfortable. For some, however, this prefabbed groove is not comfortable for some reason. It just never seems to fit quite right. We may even struggle and keep trying to fit into it, to finally come to the realization that it isn’t going to happen. It’s never going to fit. That is O.K. And that is the time at which we realize that to stand out–to rise to a higher plain–takes another kind of desire, attitude and level of commitment. The ones who push themselves to figure out how to cut an extra two or three hours out of each day–the ones who are willing to search and hunt and dig to find it–and who then take the extra effort it takes to put that extra pressure on that ugly little rock–are simply put–the ones who get the diamonds.

So why be extraordinary? Maybe the real question is, “Why not?” We get one shot at our time, here. Yes, it’s risky. Yes, it’s dangerous. And no, you don’t know how it will work out. Maybe the world is flat, and you’ll go sailing off the edge. And maybe you won’t. Who knows? The thing is… if not taking that chance to find out what could be–is killing you… then you already are extraordinary. The desire or even the need to put yourself out there, and to take risks–for everyone to see… your thoughts, your work, emotions and opinions–is not normal. Who gets up on a stage with no clothes on and says, “Hey, everybody! Look at me! What do you think??” Artists–entrepreneurs–Creative Beasts do. Regularly. It’s crazy. It’s brave. And it’s extraordinary.

Tweet This Post

art, branding, creative process, entrepreneurs, entrepreneurship, music art, artists, Billie Holiday, creative beasts, CreativeBeasts, creativity, culture, entrepreneurs, entrepreneurship, explorers, inventors, musicians, pioneers, risk, scientists, writers

Generate: An Exhibition of Work by MIAD Alumni--Opening night.

Friday; July 10th, I had the pleasure to attend the opening of Generate: An Exhibition of Work by MIAD Alumni. I would say it was a great way to beat the heat, but seeing as how this has been one of the coolest summers Milwaukee has seen in some time, it seems only right to say that the heat was right there at what is formerly known as The Paper Boat Gallery; Bastille Days notwithstanding. The show features the works of twenty two artists; some of whom reside in Milwaukee, and others who are now in other places such as New York, L.A. and Tokyo.

Aside from a well-dressed table of fine munchies, not to mention wine and a decent selection of bottled beer, the crowd was a stylie Chex mix of artists, professors and art lovers. Curated by MIAD alumna, Cassandra Smith (class of ‘06); the exhibit demonstrated both the challenges and opportunities one is presented with when attempting to fit so many artists’ works in a space of approximately one thousand square feet. In some ways, it was very successful, and in other ways, it felt a bit too “cozy.” These things aside; the show was anything but boring.

If I had to put a label on this group, it would be “Smartists.” Across the board, the art is beautifully crafted and engaging, and while each artist has a unique style and a distinct voice, it seems that this group of work on the whole, has its own dialog taking place, and the conversation is fresh and refreshing.

Having had the chance to speak at length with a handful of the artists, who in general, range from twenty to thirty-something, I gathered that they are driven and vision-oriented; serious, but with a sense of humor or playfulness, despite the fact that some of the work may be rather dark in terms of subject matter, and speaks in a somber tone.

Hand-embroidered works by Rebecca Tanner offer up a bittersweetness and black-humored irony with phrases not commonly seen in such a light, but chances are, each of us has heard some of them a time or two… and maybe this time, with a new twist. She says that it’s her therapy–a way for her to work out her thoughts.

Jesus Ali filmed and recorded a friend’s five year old daughter singing Turn Into by Yeah Yeah Yeahs. Beautifully shot and directed, the child’s performance is hauntingly beyond her years in the sense that she seems to understand the gravity of the words she sings and apparently knows by heart. It’s a remarkable piece juxtaposing innocence and the ways of the world.

Colin Dickson’s piece, Attack, recalls images of pathogenic bacteria on a giant scale. Interestingly, when I mentioned this to him, he brightened at this interpretation, and said that he had transformed the piece entirely when he moved it to its current space, which is how he prefers to work. He allows the space, itself, to help determine the final outcome and lay of the work.

Marla Sanvick’s video piece is intimate and somehow familiar, yet surrealistically alien at the same time. Regardless of the fact that there is no audio component, I wanted to view this one in silence, and will return to the gallery to do so on a less busy occasion.

We are living in difficult times, and that is not something that is missed by these artists. Art provides meaning in what can seem like an otherwise meaningless world, and it also calls attention to things we may not wish to see, but should… things such as absurdity, greed and brutality. It lends the ability to create one’s own world, whether that means entertaining certain fantasies, or simply “whistling in the dark.” Whatever the case may be, it is a powerful coping mechanism, indeed.

Following are a few highlights from the show:

Work of artist, Kimberly Weiss.

Gallery goers viewing and listening to work by Jesus Ali.

Works by artist, Rebecca Tanner.

Work of artist, Jeremy Wolf.

Work of artist, Mayuko Kono.

Detail of work by artist, Mary Dibiasio.

Work by artist, Colin Dickson.

Left to right: Rebecca Tanner talks with Dawn Frank.

Left to right: Jill Broekhuizen and son, Lodi Broekhuizen.

So, Creative Beasts, remember that this Friday; July 24th is Milwaukee’s Gallery Night, and definitely put this show on your list of ones to see.

Here’s Yeah Yeah Yeahs:

Tweet This Post

art, creative process, film, music Adam Osgood, Amy Soczka, art, artists, Colin Dickson, Emily Belknap, Eric Mackey, Erin Wilbur, GENERATE: An Exhibition of Work by MIAD Alumni, Harvey Opgenorth, Jenna Lee, Jeremy Wolf, Jesus Ali, Joseph Bolstad, Joseph John Wagner, Julia Schilling, Karin Haas, Kimberly Weiss, Marla Sanvick, Mary Dibiasio, Mayuko Kono, MIAD, Milwaukee Gallery Night July 2009, Nate Page, Rebecca Tanner, Sarah Jane Harper, Susan Estelle Kwas, The Yeah Yeah Yeahs

This blog goes out to my very dear friend, whom I will simply refer to as “Super-T,” who moves and grooves with the dexterity of a lizard, and who sometimes forgets, but he is also the most tater-bob dude that ever existed.

A few days ago, I had the privilege to spend time with another dear friend of mine, Adam–a brilliant artist and graphic designer, and a true Creative Beast. Talking with him inspired me and gave me encouragement.

I begin this post by saying that some friendships are real gifts. And I suppose it is ironic, but I now know it to be true that sometimes what can seem to be the toughest, most challenging friendships of our lives are also sometimes some of the deepest and richest ones–in addition to being the ones that teach us the most valuable lessons. It hearkens the saying that it isn’t the destinations that make us who we are, but the journeys that we make to reach them. Certain journeys–and life changing events–can sometimes crush us… and sometimes they can save us.

I love my friends. I don’t always get to tell them how much the things they do and say–whether they are big or small–matter to me. Sometimes simply possessing the ability to make someone laugh or smile… the ability to evoke–can have a tremendously earth shaking effect. I have said this before, but I’ll say it again: Creative Beasts are powerful, brilliant souls. They tend to be very intense, even if it’s in a very quiet sort of way, but they can also be extremely fragile. This knowledge can be heavy. In our creative circles, we all likely know someone, or perhaps even several people whose intensity is at times, a great joy to come into contact with, and at other times, it’s saddening or maddening. For me, it seems like it’s just about everyone I know. Why? Just lucky, I guess (and if you are one of these people, do me a favor–relax. I’m kidding… sort of. Try not to take yourself so seriously). It’s the agony and the ecstasy. Three of my creative friends have committed suicide, all within the last ten years. First was Dave; a brilliant filmmaker/director who taught me that animators are among the most patient people on the planet… usually. Then there was Jen; a great, beautiful, quiet and quick-witted writer whose wonderful sense of humor was matched by her generous and gracious spirit. Just one year later in November of 2008, I lost my friend, Brian, who was an amazingly gifted photographer, a fantastic cook, and just wickedly sharp in countless ways. Each and every one them had an energy–an intensity–that could fill any room. That said, you can imagine how the loss of each person reverberated. I wish there was something I could have done or said that would have kept each one from doing what they did. I think maybe this is what I would have said: “You have truly lived. You have done great things, and you have experienced great things. And you have touched a lot of lives. Do you really believe that this is it? That there is no more beauty yet to come? If so, you are wrong. Stick around a while. Keep at it. See what happens.”

Creativity doesn’t always flow the way we want it to. Sometimes we feel stuck, and it’s frustrating. Roadblocks are common. David Lynch addresses this issue in his book, Catching The Big Fish. He writes, “If you want to catch the little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper.” I agree with him. Another factor in the concept of catching these big fish is having creative circles–pools, if you will, in which you may freely express yourself, bounce ideas off of others, and then build on your concepts. No one person is an island, and as it is with anything else, thoughts and expressions that are exchanged freely can exist harmoniously and in a symbiotic manner, like the ebb and flow of the tides. The sharing of ideas allows creativity, itself, to become larger and richer, like a beautiful tapestry. When there is a greater opportunity to draw from a more vibrant lexicon, creative thinkers naturally put that knowledge into everything they do. When we keep things to ourselves out of fear of loss or perhaps rejection, we risk stagnation and even collapse. Even when times are difficult, and perhaps especially when times are difficult, it is better to share and connect with others. We see this example again and again made by successful people throughout history. One example that comes to mind is advertising great, David Ogilvy. He went against the grain and leapt ahead of his competitors by insisting that indeed; you must literally give away your trade secrets to win clients. His peers thought he was crazy, and maybe he was… crazy, like a fox. He was right. His ideas worked, and he made history.

Now David Ogilvy is dead and gone, and some of today’s ad geeks giggle and scoff at his ideas, but I think there isn’t one among them who wouldn’t give their eye teeth to reach the peaks that he did. Genius, as it turns out, is pretty timeless. And it takes bravery–and faith–to be creative. Some people might tell you you’re great, and some might tell you you suck… or that you are crazy. It’s not always easy to push forward, and for whatever reason, it’s sometimes easier to accept defeat or criticism, than it is to accept success and praise. If you have any desire to create, or to see an idea come to fruition, keep going with it. If it’s a passion within you, keep that fire burning. There is a reason for it. You must believe that.

Do you realize that time goes fast?
It’s hard to make the good things last
Do you realize the sun doesn’t go down?
It’s just an illusion caused by the world spinning round.

–The Flaming Lips

Tweet This Post

creative process, meditation, music advertising, artists, Big Audio Dynamite, Catching The Big Fish, creative beasts, creatives, creativity, david lynch, David Ogilvy, depression, faith, finding balance, hope, inspiration, intensity, journeys, life and death, passion, tenacity, The Flaming Lips